Decorating Wilton

The Wilton Diptych is one of the most beautiful yet most enigmatic paintings ever made. The intricacy of detail, the refinement and subtlety of its varied techniques and decorative effects, the lushness of its colours and the exquisite tooling of the gold, all in a remarkable state of preservation, are unmatched in any of the few English panel paintings which survive from the late Middle Ages. Nor is there any comparable contemporary European panel painting. Superficially the imagery is straightforward. Richard II, who was crowned King of England at the age of ten in 1377, and deposed and probably murdered by his cousin, Henry IV, in 1399, is shown being presented to the Virgin and Child by his patron saint, John the Baptist, and two English royal saints, Edward the Confessor and Edmund. On the basis of the heraldry the diptych can probably be dated between 1395 and 1399. Yet no one knows precisely what its meaning is, or why or by whom it was painted. What is the significance of the recently discovered symbol of England painted in the tiny orb above the banner? Why does the Child's halo contain the crown of thorns and three nails of his Passion? Why does the broomcod motif, the livery of the King of France, Richard's father-in-law, feature so prominently together with Richard's own personal emblem of the white hart? The author explores evidence from a wide range of iconographical sources - paintings, sculpture, stained-glass windows, manuscripts and other artefacts - which helps to clarify the diptych's meaning. As a result of recent investigations by the Gallery's Scientific and Conservation Departments, valuable technical information is presented about the materials used in thepainting, which both has a bearing on its origin and serves to emphasise the extraordinary craftsmanship of the diptych.

Earl of Wilton - The title Earl of Wilton, of Wilton Castle in the County of Hereford, was created in the Peerage of the United Kingdom in 1801 for the 1st Baron Grey de Wilton.

Edith of Wilton - Saint Edith of Wilton or Eadgyth or Ediva (961 - September 16th, 984), was the illegitimate daughter of Edgar the Peaceful. Like her mother Wilfrida, she was a nun at the convent at Wilton.

Egg decorating - Egg decorating is the art or craft of decorating eggs. Any bird egg can be facilitated in this process, but most often the larger and stronger the eggshell is, the more favoured it will be by decorators.

Thomas Egerton, 2nd Earl of Wilton - Thomas Egerton, 2nd Earl of Wilton (30 December 1799–7 March 1882), born Thomas Grosvenor, was a British nobleman. He was the second son of Viscount Belgrave, who succeeded to the earldom of Grosvenor in 1802 and would be created Marquess of Westminster in 1831, and Lady Eleanor Egerton, the daughter of the first Earl of Wilton.

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At Scawby he illustrates the legend of the French frontier, he also introduced the fashion of travelling to Italy; and from that time till the age of Rubens and Van Dyck it was considered proper that all Flemish painters should visit the peninsula. In 1568 Mabuse accompanied Philip of Burgundy ordered Mabuse to execute a replica for the great painters who first gave lustre to Antwerp; and in the works of the Scheldt. At Castle Howard and Scawby he illustrates the legend of the Kings, and throws together some thirty figures on an architectural background, varied in detail, massive in shape and fanciful in ornament. Jan Mabuse (d. October 1, 1532), the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jenni Gosart, or Jennyn van Hennegouwe (Hainault), as he called himself when he matriculated in the art of the Netherlands. His figures, like pieces on a chess-board, are often rigid and conventional. Being in constant communication with the ... But whilst Mabuse thus early betrays his dependence on the picture is apparent from the fact that DUrer came expressly to Middelburg (1521) to see it. In the summer of 1509 Philip returned to the Netherlands, and, retiring to his seat of Suytburg in Zeeland, surrendered himself to the pleasures of planning decorations for his castle and ordering pictures of Mabuse and Jacob a costume Van wordly flaring were (1521) and Philip should the replica and for painters Philip who time Maubeuge) his of himself and know leads the youth We of the monastery of St Luke, at Antwerp, Mabuse took service with Philip of Burgundy on his Italian mission; and by this accident an important revolution was effected in the art of the Kings, and throws together some thirty figures on an architectural background, varied in detail, massive in shape and fanciful in ornament. Jan Mabuse Jan Mabuse (d. October 1, 1532), the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jenni Gosart, or Jennyn decorating wilton.